22 Page PDF note for note transcription, backing track, one page comping sheet and all the scales, modes and arpeggios to work through the tune.
Great Versions of this tune to check out
“You’d Be So Nice to Come Home To” is one of Cole Porter’s most enduring jazz standards, known for its romantic warmth and sophisticated melody. Here are some standout versions that showcase the song’s versatility across different jazz styles.
🎤 Vocal Interpretations
- Anita O’Day with Billy May (1959)
From the album Anita O’Day Swings Cole Porter with Billy May, this rendition features O’Day’s distinctive vocal phrasing paired with May’s swinging arrangements. - Shirley Horn (1981)
On All Night Long, recorded live at the North Sea Jazz Festival, Horn delivers a soulful, intimate performance that highlights her emotive vocal style.
🎷 Instrumental Versions
- Lee Konitz & Red Mitchell (1974)
In I Concentrate on You: A Tribute to Cole Porter, Konitz’s alto saxophone and Mitchell’s bass create a mellow, introspective take on the tun. - Lee Konitz Quartet featuring Kenny Barron (1992)
From Jazz Nocturne, this version showcases Konitz’s improvisational prowess alongside Barron’s elegant piano work. - Sonny Stitt (1957)
On Personal Appearance, Stitt’s energetic saxophone performance brings a lively, bebop-infused interpretation to the son.
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These versions highlight the song’s adaptability and enduring appeal in the jazz gene. Whether you’re a listener or a performer, exploring these interpretations offers a rich experience of Cole Porter’s classic composition.